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capa do ebook PRÊT-À-PORTER: UMA ESTÉTICA DA VIDA CONTEMPORÂNEA

PRÊT-À-PORTER: UMA ESTÉTICA DA VIDA CONTEMPORÂNEA

Discutir e repensar essa temática da estética da vida contemporânea, torna-se pertinente por percebermos que estamos atravessados por uma grande crise que marca esse teDiscussing and rethinking this theme of the aesthetics of contemporary life, becomes relevant because we realize that we are experiencing a great crisis that marks this present time. The way the question is usually asked today, distances us from what is at the center of the problem: the subject. Our observations bet on what seems to configure the real crisis: that of the subject swallowed by the new airs of globalization, of information, of instantaneity, a subject that is inhabited by culture. The crisis, therefore, would not necessarily be of contemporary society in its structural and symbolic character, but, in the way that this society has called the subjects to position themselves in the world and in their relationship with others. To this end, an integrative literature review will be carried out, looking for approximations between articles raised in the reference documents. The general purpose is to gather knowledge on the topic, helping with the study's rationale. The crisis, therefore, is the image that does not enter the scene of the social project of life governed by consumption, the most evident response to unmet cultural demands, what escapes the aesthetics of contemporary life prescribed in the script Prêt-à-porter to be.mpo presente. O modo como a questão geralmente é colocada hoje, nos distancia do que está no centro do problema: o sujeito. Nossas observações apostam no que parece configurar a verdadeira crise: a do sujeito tragado pelos novos ares da globalização, da informação, da instantaneidade, sujeito esse que é habitado pela cultura. A crise, assim, não seria necessariamente da sociedade contemporânea em seu caráter estrutural e simbólico, mas, à forma como essa sociedade tem convocado os sujeitos a se posicionar no mundo e na sua relação com o próximo. Para tal, será realizada uma revisão de literatura integrativa, buscando aproximações entre artigos levantados nos documentos de referência. O propósito geral é reunir conhecimentos sobre o tópico, ajudando nas fundamentações do estudo. A crise, portanto, é a imagem que não entra na cena do projeto social de vida regida pelo consumo, a resposta mais evidente às demandas culturais não alcançadas, aquilo que escapa da estética da vida contemporânea prescrita no script Prêt-à-porter de ser.

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PRÊT-À-PORTER: UMA ESTÉTICA DA VIDA CONTEMPORÂNEA

  • DOI: 10.22533/at.ed.54220081011

  • Palavras-chave: Contemporaneidade. Cultura. Subjetividade. Estética. Crise.

  • Keywords: Contemporaneity. Culture. Subjectivity. Aesthetics. Crisis.

  • Abstract:

    Discussing and rethinking this theme of the aesthetics of contemporary life, becomes relevant because we realize that we are experiencing a great crisis that marks this present time. The way the question is usually asked today, distances us from what is at the center of the problem: the subject. Our observations bet on what seems to configure the real crisis: that of the subject swallowed by the new airs of globalization, of information, of instantaneity, a subject that is inhabited by culture. The crisis, therefore, would not necessarily be of contemporary society in its structural and symbolic character, but, in the way that this society has called the subjects to position themselves in the world and in their relationship with others. To this end, an integrative literature review will be carried out, looking for approximations between articles raised in the reference documents. The general purpose is to gather knowledge on the topic, helping with the study's rationale. The crisis, therefore, is the image that does not enter the scene of the social project of life governed by consumption, the most evident response to unmet cultural demands, what escapes the aesthetics of contemporary life prescribed in the script Prêt-à-porter to be.

  • Número de páginas: 15

  • AILTON SIQUEIRA DE SOUSA FONSECA
  • GABRIEL LIBERATO DUARTE DOS REIS
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