Canções do acervo Jean Douliez: processo de catalogação e análise
Canções do acervo Jean Douliez: processo de catalogação e análise
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DOI: 10.22533/at.ed.3162328118
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Palavras-chave: Acervo Jean François Douliez; análise; catalogação; divulgação, identidades.
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Keywords: Jean François Douliez collection; analysis; cataloging; dissemination, identities.
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Abstract: This article is the result of previous research and is part of the project "Musical and Archival Heritage of the Braz Wilson Pompeu de Pina Filho Musicology Laboratory at EMAC/UFG (LABMUS/EMAC)", carried out by the Braz Wilson Pompeu de Pina Filho Musicology Laboratory - LABMUS EMAC. The general aim of this research was to analyze, review and catalog works composed or arranged by Jean François Douliez, and composed by musicians from Goiás and Brazil in the aforementioned collection, in a total of 13 pieces, namely: "A Rosa Já Morreu", composed by Jean François Douliez; "Confissão", composed by Lygia M. Rassi; "Feliz Aniversário", composed by Jean François Douliez. Rassi; "Feliz Aniversário", composed by Heitor Villa-Lobos and arranged by Jean François Douliez; "Foi Boto Sinhá", composed by Waldemar Henrique and arranged by Jean François Douliez; "Goiás dos Chafarizes", composed by Jean François Douliez; "Marcha Triunfal", composed by Lorenzo Fernandez and arranged by Jean François Douliez; "Meu Xalinho Roxo", composed by Jean François Douliez; "O Carreteiro", composition by an anonymous author and arrangement and harmonization by Jean François Douliez; "O Jardineiro de Ispaã", composition by Jean François Douliez; "O Mesmo Destino", composition by José Vieira Brandão and arrangement by Jean François Douliez; "Papa Corumiassú", composition by Hekel Tavares; "Rosas Flores da Alvorada", an anonymous composition; "Tatu é caboclo do sul", unidentified composition. The specific objectives were: a) to understand the characteristics of the musical language of the works listed above in order to make cataloging possible; b) to include the results of the cataloging process in the free software ICA-AtoM (CIDARQ/UFG) for public availability; c) to understand the socio-cultural aspects in which the works analyzed were inserted.
- Natália Plaza Pinto Silva
- Ana Guiomar Rêgo Souza