A ARTE NA EXPRESSÃO DO BELO NO CANTO DO HINO BATISMAL EM GÁLATAS 3,28
A ARTE NA EXPRESSÃO DO BELO NO CANTO DO HINO BATISMAL EM GÁLATAS 3,28
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DOI: 10.22533/at.ed.7882307121
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Palavras-chave: Frei Confaloni. Pintura e Arte. Teologia da Libertação. Gálatas 3,28. Não há homem e mulher.
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Keywords: Friar Confaloni. Painting and Art. Liberation Theology. Galatians 3:28. There is no man and woman.
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Abstract: Friar Confaloni worked through painting and art to address the differences between the social classes of his time. He brought to Goiás society the characteristics that marked the history of minorities since the biblical period. He denounced the process of symmetry that existed between the people of Goiás through art, and beauty, through biblical drawings that spoke to the hearts of minorities. It is, from this account, that the biblical text brings a discussion about beauty in the singing of the baptismal hymn presented by the apostle Paul during the period of original Christianity and in Galatians 3:28, when he denounces that there can be no differences between Jews and gentiles, slaves and freedmen and between men and women. This article will mainly present the differences between men and women because they were undoubtedly the greatest losers of their time, due to the fact that they were women, because they were considered impure during their menstrual cycle and because they did not participate in Jewish liturgical worship. The beauty will be presented by the singing of the baptismal hymn, a hymn much older than that of the apostle Paul, who denounced the social inequalities that existed in his time.
- jose frederico sardinha franco
- José Frederico Sardinha Franco