THE TRAJECTORY OF BEING AND LANGUAGE IN SLEEPING EARTH BY MIA COUTO BASED ON MARTIN HEIDEGGER
The aim of this article is to analyze, through a phenomenological hermeneutic approach, the work Sleepwalking Land,de Mia Couto, from the perspective of language theory as an aesthetic phenomenon and as a process of “essentialization” of being, under the concepts, mainly, of Martin Heidegger who defined: “Language is the abode of being”. It aims to understand the dynamics of the writing-writing of the work, divided into two metonymic nuclei that dialogue and intercommunicate in the dynamics of the artistic process: the macrocosm and the microcosm. The first part of the fictional language related to the human universe; the second refers to the fictional itself, to language as an artistic product.
THE TRAJECTORY OF BEING AND LANGUAGE IN SLEEPING EARTH BY MIA COUTO BASED ON MARTIN HEIDEGGER
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DOI: 10.22533/at.ed.2162172209098
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Palavras-chave: Aesthetic Phenomenon, Language, Essentialization, Literary Criticism.
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Keywords: Aesthetic Phenomenon, Language, Essentialization, Literary Criticism.
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Abstract:
The aim of this article is to analyze, through a phenomenological hermeneutic approach, the work Sleepwalking Land,de Mia Couto, from the perspective of language theory as an aesthetic phenomenon and as a process of “essentialization” of being, under the concepts, mainly, of Martin Heidegger who defined: “Language is the abode of being”. It aims to understand the dynamics of the writing-writing of the work, divided into two metonymic nuclei that dialogue and intercommunicate in the dynamics of the artistic process: the macrocosm and the microcosm. The first part of the fictional language related to the human universe; the second refers to the fictional itself, to language as an artistic product.
- ANGÉLICA MARIA ALVES VASCONCELOS
