MUSICAL RHETORIC IN THREE OF THE 10 PRELUDES FOR PIANO BY CARLOS CHÁVEZ
En este documento se revisa de manera somera la retórica musical y teoría de los afectos, se encuentran vínculos de esta teoría determinando un tipo de temperamento en los primeros tres preludios de la obra 10 preludios para piano del compositor Carlos Chávez, lo cual, pueda servir al intérprete pianista que aborde esta serie de piezas.
MUSICAL RHETORIC IN THREE OF THE 10 PRELUDES FOR PIANO BY CARLOS CHÁVEZ
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DOI: 10.22533/at.ed.929352303077
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Palavras-chave: Musical rhetoric, Chavian work and interpreter-pianist.
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Keywords: Musical rhetoric, Chavian work and interpreter-pianist.
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Abstract:
In this document, the musical rhetoric and the theory of affects are briefly reviewed, links of this theory are found determining a type of temperament in the first three preludes of the work 10 preludes for piano by the composer Carlos Chávez, which may serve to the pianist performer who addresses this series of pieces.
- Jesús Vinaja Castillo
