Recovering audiovisual memory: the Eurovision Song Contest in Brazil
This article intends to present the history of the Eurovision Song Contest (ESC) in Brazil through memorial recovery of the event, as well as discussing the relevance of this audiovisual product in the country. The article uses the theoretical foundation of the ideas of Bourdieu (1997), Debord (1997), Ricoeur (2010), Ribeiro et alli (2017) and Figaro (2015). It is intended, with this article, to find out if Eurovision Song Contest has impacted Brazil as a relevant media product and in fact impacted culturally and in the media consumption of Brazil, thus contributing to Eurovisiological research in the country.
Recovering audiovisual memory: the Eurovision Song Contest in Brazil
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DOI: 10.22533/at.ed.2162110121
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Palavras-chave: Brazil, Eurovision Song Contest, History, Memory Recovery.
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Keywords: Brazil, Eurovision Song Contest, History, Memory Recovery
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Abstract:
This article intends to present the history of the Eurovision Song Contest (ESC) in Brazil through a memorial recovery of the event, in addition to discussing the relevance of this audiovisual product in the country. The article uses as theoretical foundation the ideas of Bourdieu (1997), Debord (1997), Ricoeur (2010), Ribeiro et alli (2017) and Figaro (2015). The aim of this article is to discover whether the Eurovision Song Contest impacted Brazil as a relevant media product and if it actually impacted culturally and on media consumption in Brazil, thus contributing to Eurovisiological research in the country.
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Número de páginas: 15
- Ricardo Rios
