PIERRE FRANCASTEL AND GEORGES DIDI-HUBERMAN: A DIALOGUE BETWEEN THEORISTS TO THINK ABOUT PAINTING WORKS FROM THE GENERAL EXHIBITION OF FINE ARTS OF 1890
The present work intends to analyze the pictorial composition of some works presented in the general exhibition of 1890, acquired and awarded by the National School of Fine Arts, from the theoreticians Pierre Francastel in his work: ‘’Pintura e Sociedade’’, in 1990 and Georges Didi-Huberman, in ‘’Diante do Tempo’’, ‘’História da Arte’’ and ‘’Anacronismo das Imagens’’, in 2015. Featured paintings are: Os bandeirantes, by Henrique Bernardelli, ‘’Caipiras negaceando’’, by José Ferraz de Almeida Júnior, ‘’Morro da Viúva’’ (Rio de Janeiro, RJ), by Joaquim José da França Júnior; ‘’Praia Formosa’’ (Rio de Janeiro, RJ), by Hipólito Caron; ‘’Turbínio’’, by Antonio Parreiras and ‘’Paisagem’’ (de Barbacena, Minas Gerais), by Giambattista Pagani.
PIERRE FRANCASTEL AND GEORGES DIDI-HUBERMAN: A DIALOGUE BETWEEN THEORISTS TO THINK ABOUT PAINTING WORKS FROM THE GENERAL EXHIBITION OF FINE ARTS OF 1890
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DOI: 10.22533/at.ed.929332330039
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Palavras-chave: Francastel; Didi-Huberman; Painting; EGBA from 1890.
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Keywords: Francastel; Didi-Huberman; Painting; EGBA from 1890.
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Abstract:
The present work intends to analyze the pictorial composition of some works presented in the general exhibition of 1890, acquired and awarded by the National School of Fine Arts, from the theoreticians Pierre Francastel in his work: ‘’Pintura e Sociedade’’, in 1990 and Georges Didi-Huberman, in ‘’Diante do Tempo’’, ‘’História da Arte’’ and ‘’Anacronismo das Imagens’’, in 2015. Featured paintings are: Os bandeirantes, by Henrique Bernardelli, ‘’Caipiras negaceando’’, by José Ferraz de Almeida Júnior, ‘’Morro da Viúva’’ (Rio de Janeiro, RJ), by Joaquim José da França Júnior; ‘’Praia Formosa’’ (Rio de Janeiro, RJ), by Hipólito Caron; ‘’Turbínio’’, by Antonio Parreiras and ‘’Paisagem’’ (de Barbacena, Minas Gerais), by Giambattista Pagani.
- Cintya dos Santos Callado
