Orí Odára: Research on the Compositional Materials of the Work and the Duality between Rhythms and Pitches
This article aims to present, as a self-ethnographic work, the materials chosen for the Orí Odára music, which is based on the application of acoustic principles to rhythm. Despite being an unfinished piece, the objective is to show ways to expand the role attributed to rhythm as a basic element of the discursive structure of music, in order to bring this sound parameter closer to the heights in question.
Orí Odára: Research on the Compositional Materials of the Work and the Duality between Rhythms and Pitches
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DOI: 10.22533/at.ed.3172182219086
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Palavras-chave: Autoethnography. Composition. Rhythm. durations.
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Keywords: Autoethnography. Composition. Rhythm. durations.
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Abstract:
This article aims to present, as a self-ethnographic work, the materials chosen for the Orí Odára music, which is based on the application of acoustic principles to rhythm. Despite being an unfinished piece, the objective is to show ways to expand the role attributed to rhythm as a basic element of the discursive structure of music, in order to bring this sound parameter closer to the heights in question.
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Número de páginas: 11
- Luiz Felipe Stellfeld Monteiro
