Participatory Sensitive Metaverses: Cultural Landscape Registry/UNESCO

• DOI: 10.22533/at.ed.2163342314124

• Palavras-chave: Social Museology. Culture of Sensitive Peripheries. Sustainability

• Keywords: Social Museology. Culture of Sensitive Peripheries. Sustainability

• Abstract:

  Objective – Virtually expose the knowledge and practices of ``Morro do Palácio``, in Niterói/RJ, the only slum that has a building by Oscar Niemeyer (MACquinho) to house a community culture in Brazil; Methodology - The creative reality of ``Morro do Palácio`` to be unveiled through Expography and Sensitive Digital Museology with the creation of a Virtual Display of Carioca Cultural Landscapes declared by UNESCO (2012), accessed by VR glasses that allow you to virtually walk through the territories of the communities included in the landscape; Originality/relevance –Highlight in Metaverses, Digital and Social Patrimonialization (popular knowledge and practices) in a project that wants to bring the discourse into the Community, highlighting the different interactive layers (Traditions, people and built landscape, etc.);Results –Create a Cartographic Display of the Guanabara Bay Territory with Heritage, Social and Landscape Assets to access the Landscape Registration Line from the MACquinho promontory, in addition to displaying its Sensitive Metaverses online on the Digital Urban Platform of the City of Niterói/RJ;
  Theoretical/methodological contributions: Slums of Grande Rio are territories made invisible in the Cultural Landscape/UNESCO Record Line, to be discovered through Metaverses Participative. We want to allow and guarantee Sociocultural and sensitive Accessibility to the ``Morro do Palácio`` slum to reach a sociocultural/heritage perception, aiming to break with structural racism by breaking social masks and virtually diluting physical borders; Social and environmental contributions –Photograph everyday life from slum of Chapadão`` (top of slum) and enjoy routes/trajectories to expand the living space of its residents, in addition to emphasizing the educational relationship between MAC-Niterói and MACquinho, through the Environmental and Patrimonial Art-Action project.