Memory, history and practice of audiovisual journalism from cinema journalism in the world and in Brazil
We studied how the invention of cinema and the development of news reeling wove the memory and history of the audiovisual imaginary of a news character. We use a theoretical-methodological strategy based on the historiographical movement known as the School of Annales, in dialogue with the theoretical and technical repertoire of the field of communication. We collected data from seven interviewees, over 70 years old, who worked with audiovisual journalism, capturing and editing moving images. We identified how the professional culture was formed and the elements that persist since its inception.
Memory, history and practice of audiovisual journalism from cinema journalism in the world and in Brazil
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DOI: 10.22533/at.ed.929282228111
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Palavras-chave: audiovisual journalism; cinema journalism in the world; cine journalism in Brazil; Communication; journalism; movie theater; memory; story.
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Keywords: audiovisual journalism; cinema journalism in the world; cine journalism in Brazil; Communication; journalism; movie theater; memory; story.
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Abstract:
We studied how the invention of cinema and the development of news reeling wove the memory and history of the audiovisual imaginary of a news character. We use a theoretical-methodological strategy based on the historiographical movement known as the School of Annales, in dialogue with the theoretical and technical repertoire of the field of communication. We collected data from seven interviewees, over 70 years old, who worked with audiovisual journalism, capturing and editing moving images. We identified how the professional culture was formed and the elements that persist since its inception.
- Roberta Brandalise
