MARCANTÔNIO VILAÇA FROM 1985 TO 1999: THE RESSIGNIFICATION OF MARCHAND'S PROFILE IN BRAZIL
Regarded as one of the most important marchands that Brazil has ever had, Marcantônio Vilaça is constantly remembered by its tireless role in the diffusion and circulation of Brazilian contemporary art in fairs, galleries and exhibitions around the world. This work sought to monitor the emergence and affirmation of Marcantonio Vilaça as Marchand in the 1990s art scene based on texts published in the press or specialized essays, from its employment as commercial manager of the Algodoeira Palmeirense SA, passing through its exclusive dedication His future Camargo Vilaça gallery in partnership with his friend Karla Camargo, until his tragic death at the turn of the year 1999.
MARCANTÔNIO VILAÇA FROM 1985 TO 1999: THE RESSIGNIFICATION OF MARCHAND'S PROFILE IN BRAZIL
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DOI: 10.22533/at.ed.9292111114
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Palavras-chave: Marcantônio Vilaça; Brazilian contemporary art; art market; Internationalization of works of art.
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Keywords: Marcantônio Vilaça; contemporary Brazilian art; art market; internationalization of artworks
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Abstract:
Regarded as one of the most important marchands that Brazil has ever had, Marcantônio Vilaça is constantly remembered for his tireless role in the diffusion and circulation of contemporary Brazilian art in fairs, galleries and exhibitions all over the world. This work sought to follow the emergence and affirmation of Marcantônio Vilaça as an art dealer in the 1990s art scene based on texts published in the press or in specialized essays, from his employment as commercial manager of Algodoeira Palmeirense SA, through his exclusive dedication in his future gallery Camargo Vilaça in partnership with his friend Karla Camargo, until his tragic death at the turn of 1999.
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Número de páginas: 13
- Vitor Crubelatti
