“Come on, they will love this”: viewers-players at Hunger Games (2012) from the fable
In order to understand the construction of spectator-players from the fable in Hunger Games (2012), the notion proposed by David Bordwell (1985) will be used. For the author, the construction of the fable takes place between the constant communication between style and syuzhet, this process involves these notions and would require an ideal spectator to make inferences. However, the spectator is outside the film, and may or may not exist. On the contrary, in this film, the hypothesis is that the fable is constructed from characters who would be both spectators and players, that is, spectators within the film itself and players through their actions.
“Come on, they will love this”: viewers-players at Hunger Games (2012) from the fable
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DOI: 10.22533/at.ed.2162122211078
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Palavras-chave: Narration; Fable; Viewer; David Bordwell; Character.
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Keywords: Narration; Fable; Viewer; David Bordwell; Character.
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Abstract:
In order to understand the construction of spectator-players from the fable in Hunger Games (2012), the notion proposed by David Bordwell (1985) will be used. For the author, the construction of the fable takes place between the constant communication between style and syuzhet, this process involves these notions and would require an ideal spectator to make inferences. However, the spectator is outside the film, and may or may not exist. On the contrary, in this film, the hypothesis is that the fable is constructed from characters who would be both spectators and players, that is, spectators within the film itself and players through their actions.
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Número de páginas: 10
- Fernando de Barros Honda Xavier
