Cultural archive: the historical alternative in the process of post-conceptual painting
An alternative historical vision, proposed in counterpoint to the domain of history protected by an orthodox virility and a Eurocentric vision, deepens the importance of archives related to race and gender issues to the detriment of class Social. Gayatri Spivak, for the need to understand the post-colonial situation, contributed to the construction of the notion of archive, causing the fall of social codes rooted in political economy and not cultural. In a recent publication, Hal Foster reinforces this idea of post-globalization of the notion archive, which has always been present in artistic projects, but which In recent years it has come to constitute itself as an artistic process and device. Post-conceptual painting, as long as it uses pre-existing images, no longer just coming from the written press, television, video, it is part of the diaspora of the digital world. So: - What meaning is expected in the process of post-conceptual painting?
Cultural archive: the historical alternative in the process of post-conceptual painting
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DOI: https://doi.org/10.22533/at.ed.9294424010071
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Palavras-chave: Postconceptual Painting, Subjectivity, Archive
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Keywords: Postconceptual Painting, Subjectivity, Archive
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Abstract: An alternative historical vision, proposed in counterpoint to the domain of history protected by an orthodox virility and a Eurocentric vision, deepens the importance of archives related to race and gender issues to the detriment of class Social. Gayatri Spivak, for the need to understand the post-colonial situation, contributed to the construction of the notion of archive, causing the fall of social codes rooted in political economy and not cultural. In a recent publication, Hal Foster reinforces this idea of post-globalization of the notion archive, which has always been present in artistic projects, but which In recent years it has come to constitute itself as an artistic process and device. Post-conceptual painting, as long as it uses pre-existing images, no longer just coming from the written press, television, video, it is part of the diaspora of the digital world. So: - What meaning is expected in the process of post-conceptual painting?
- Filipe José da Silva Rodrigues
