THE MANIFESTATION OF THE UNCONSCIOUS IN THE POETICS OF EMILY DICKINSON
The present work aims to discuss the manifestations of the Unconscious in part of the literary production of Emily Dickinson – more specifically, in the selected corpus of the compilation ‘’A Branca voz da solidão’’, translated by José Lira in 2000, but using only the original text in English. Based on the iconographic analyzes of the corpus in question and associating them with Dickinson's stylistic tendencies, as well as with the works of Freud and Lacan, the idea is to explore the impulses of the human psyche and the remodeling of its own daily life as an inserted woman. in a patriarchal and traditionalist society, which condemned his passion for literature.
THE MANIFESTATION OF THE UNCONSCIOUS IN THE POETICS OF EMILY DICKINSON
-
DOI: 10.22533/at.ed.558342313015
-
Palavras-chave: Emily Dickinson, poetry, Unconscious, American poetry
-
Keywords: Emily Dickinson, poetry, Unconscious, American poetry
-
Abstract:
The present work aims to discuss the manifestations of the Unconscious in part of the literary production of Emily Dickinson – more specifically, in the selected corpus of the compilation ‘’A Branca voz da solidão’’, translated by José Lira in 2000, but using only the original text in English. Based on the iconographic analyzes of the corpus in question and associating them with Dickinson's stylistic tendencies, as well as with the works of Freud and Lacan, the idea is to explore the impulses of the human psyche and the remodeling of its own daily life as an inserted woman. in a patriarchal and traditionalist society, which condemned his passion for literature.
- Thiago Nolla de Freitas Batista
